By LARRY McCABE
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Additional resources for 101 Bad to the Bone
Arrange at least six choruses, using six different patterns. 3. After you are comfortable transposing four-beat C7 patterns to this chart, work with eight-beat patterns. Again, arrange at least six choruses, using a different pattern for each chorus. 4. Remember, an eight-beat pattern will require modification when it is applied to a four-beat chord. If this is difficult for you, see a qualified instructor. 41 Example 3 12-bar blues in C minor Cm7 Fm7 Gm7 Cm7 Cm7 Fm7 Fm7 Cm7 Cm7 Cm7 Cm7 Cm7 Arranging Tips The minor chord patterns in this book are in 12/8 time.
2. Most doublestop patterns are played on neighboring strings Ex. 2, but there are exceptions. See if you can locate a few doublestop patterns played on non-adjacent strings in the "patterns" section of this hook. Ex. 2 Pattern 8 is a doublestop pattern played on adjacent strings C7 flJ k -T--A 5 5 5 5 3 3 5 5 Doublestop patterns in this book: Numbers 2, 3, 7, 8, 9, 10, 15, 31, 33, 35, 42, 43, 44, 49, 52, 54, 55, 57, 64, 66, 69, 72, 82, 83, 86, 88 Doublestop patterns are an example of polyphonic playing.
Here are a couple of eight-bar blues charts for you to work with. Ex. 5 8-bar blues in D D7 A7 G7 A7 D7 G7 G7 D7 A7 C7 to D7 is up 2 frets or down 10 frets. C7 to A7 is up 9 frets or down 3 frets. Ex. 6 8-bar blues in E E7 E7 E7 A7 A7 B7 B7 E7 C7 to E7 is up 4 frets or down 8 frets. C7 to A7 is up 9 frets or down 3 frets. C7 to B7 is up 11 frets or down 1 fret. 1asy Transposing Chart: Count the distance from one tone to another. CDbIEbEFGbGAbABbBCDbDEhEFGbGAbABbBC Db 44 C# Eb D# Gb = F# Ab = G# Rb = About the Author Larry McCabe was born in Kansas City, Missouri.
101 Bad to the Bone by LARRY McCABE